Wieland, review of The Revenge of Ishtar, pp. 33.Ĭanadian Children's Literature, spring, 2001, review of Sinbad: From the Tales of the Thousand and One Nights, pp. 2126.īooks in Canada, July, 2001, review of Sinbad in the Land of Giants, p. 615 August, 2001, Hazel Rochman, review of Sinbad in the Land of Giants, p. Yet, as Ketcheson observed, 'Zeman retains the somewhat formal speech expected in a classic story.'īooklist, November 15, 1992, Nancy McCray, review of Lord of the Sky, p. The original stories from The Thousand and One Nights are full of adventure, and Zeman's writing reflects this: it is 'exciting, fast moving and lyrical,' Isobel Lang wrote of Sinbad in the Land of Giants in Resource Links. reminiscent of Persian miniatures.' Zeman's texts for the 'Sinbad' trilogy were also praised. Chang, writing in School Library Journal about the same work, found the book's 'richly colored illustrations, detailed, coherent, and carefully composed. The 'lavish' illustrations are 'framed with designs reminiscent of Persian carpets,' Ann Ketcheson observed in a Resource Links review of Sinbad's Secret. Throughout these books, Zeman draws on the art as well as the stories of the Middle East. The second trilogy retells the legends of Sinbad's adventures, which were originally recounted in The Thousand and One Nights. The first, a retelling of the ancient Mesopotamian legend of Gilgamesh, won her the prestigious Governor General's Award for Illustration. Zeman drew on the folklore of the Middle East for two trilogies of picture books. Since arriving in Canada, Zeman and her husband have continued to make films, and Zeman has become the author of several self-illustrated books in English. Zeman also illustrated a popular Czech children's book, Linda, the Gardener's Cat, before an offer to teach at the Emily Carr School of Art in Vancouver, British Columbia, Canada, led her to leave her native country.

The resulting creation was sold to Czech television.

When she was nineteen, Zeman tried her hand at building the puppets for and animating her own short film. During school vacations, Zeman spent most of her time at her father's studio, where she helped to create puppets and paint backgrounds. Her father, Karel Zeman, was a well-known creator of films for children in Czechoslovakia. Czech-born Canadian author Ludmila Zeman has lived in the world of professional storytellers since she was a child.

Gilgamesh the king zeman